Ti-Ahwaga Community Players production of Cabaret, at the Ti-Ahwaga Performing Arts Center, Owego, NY, was a wonderful experience this past Saturday evening, 3 Feb. 2024, following a wonderful dinner with friends at Ernesto’s in Owego, NY.
Ryan Canavan, as Emcee or Master of Ceremony, did a great job in portraying this elusive character with the wonderful excitement, as it should be.
Same can be said about the British character, Sally Bowles, played by Ilana Rose Wallenstein, Sally Bowles. ”The character of Sally Bowles was based upon Jean Ross, a British cabaret singer with whom Isherwood lived as a room-mate in Weimar-era Berlin.” (Reference: Cabaret: 1972 film (n.d.). Wikipedia. Website: https://en.wikipedia.org/wiki/Cabaret_(1972_film).
Andrew Mextorf who played the American from Harrisburg, PA, Clifford Bradshaw, also portrayed this character in a top-notch personification. The character of Bradshaw is modeled after author, Christopher Isherwood’s “semi-autobiographical novel,” Goodbye to Berlin which is the basis of this musical. The novel “recounts [Isherwood’s] time in 1930s pre-Nazi Berlin.” (Reference: 50 years of Cabaret, 2016, Playbill, Website: https://www.playbill.com/article/50-years-of-cabaret-the-surprisingly-transformative-jo). In one sense, I kept thinking of Bradshaw not being Clifford, but Christopher.
On November 16, 1966, Cabaret opened on Broadway with Joel Grey and Peg Murray (Reference: 50 years of Cabaret (2016, Nov. 20). Playbill, Website: https://www.playbill.com/article/50-years-of-cabaret-the-surprisingly-transformative-journey-of-a-classic) headlining the show.
In later productions, Joel Grey and Liza Minnelli played the leading roles (“Me no leica,” (2013, Oct. 5), RegenAxe [blog]. Website: https://regenaxe.com/2013/10/05/me-no-leica/).
In 2002, John Stamos of TV’s Full House, played the role of Emcee (Reference: Gans, A. (2002, Apr. 2). Playbill. Website: https://www.playbill.com/article/tvs-john-stamos-joins-the-cabaret-april-29-com-104810).
There have been others.
Cabaret, the movie, was released in 1972, with Bob Fosse as choreographer (Reference: Cabaret: 1972 film (n.d.). Wikipedia. Website: https://en.wikipedia.org/wiki/Cabaret_(1972_film)).
Another bit of history about Cabaret (Reference: Cabaret: 1972 film (n.d.). Wikipedia. Website: https://en.wikipedia.org/wiki/Cabaret_(1972_film)).
By the time Adolf Hitler implemented the Enabling Act of 1933 which cemented his dictatorship, Isherwood, Ross, Spender, and others had fled Germany and returned to England.[24][16][17] Many of the Berlin cabaret denizens befriended by Isherwood would later flee abroad[25]: 164–166 or perish in concentration camps.[25]: 150, 297 [26]: 74–81 These factual events served as the genesis for Isherwood's 1937 novella Sally Bowles which was later adapted into the 1955 film I Am a Camera and the 1966 Cabaret musical.[23][27]
In a review of the musical, New York Times reviewer, Walter Kerr, wrote, “me no leica.” (“Me no leica,” (2013, Oct. 5), RegenAxe [blog]. Website: https://regenaxe.com/2013/10/05/me-no-leica/). I do not agree with such detractors who also claimed the book by Isherwood was titled, Goodbye Berlin, not Sally Bowles.
The remainder of this Ti-Awhaga cast was phenomenal. The dance numbers were well choreographed and synchronized very well. The movement in and out of the audience as if we are part of the Kit Kat Club being portrayed in the musical was also quite likable by this audience member. The lighting and stage design also worked well. The orchestra was also very interesting.
The one thing I would say, “me no leica” was the balance between the sound of the singers and the orchestra. The orchestra often overpowered the singers and it was difficult to hear them. It seemed as if there was a slight improvement following intermission, but to this member of the audience, I think the contrast could have been even better.
My final words are “me leica.” And certainly, I recommend others attend so as to learn from history what happens when a dictator was on the rise in Germany, in order to stop such a thing, at all costs, remembering, unlike the Germans that the opposition to the dictator was not bad at all, but slander, libel and lies were used in Nazi Germany, as the eventual German “Propaganda Minister,” Goebbels, used a method of glorifying individualism with hearsay and repeatedly telling lies until they became the truth.
Goebbels quotes:
Goebbels: ”A lie told once remains a lie but a lie told a thousand times becomes the truth.”
Goebbels: ”If you repeat a lie often enough, people will believe it, and you will even come to believe it yourself.“
Goebbels: “If you tell a lie long enough, it becomes the truth.“
Goebbels: “If you repeat a lie often enough it becomes accepted as truth.“
Goebbels: “The age of hairsplitting Jewish intellectualism is dead… The past lies in flames.“
All of this represent a prequel to a Holocaust. This was well represented for those who wish to learn from history and learn how to stop such a thing. Learn it from the Ti-Awhaga Community Players and their production of Cabaret.
For this audience member, “me leica.”
The Fat Pigs who are Nothing but Greedy, Selfish, Money-loving Venture Capitalists with No Idea about how to have Human Communication
Experience today. Took 45 minutes to reach customer service at Gannett’s Binghamton Press & Sun-Bulletin. Nobody cares. Most people would likely give up after about 10 minutes so no newspapers get sold. Wonder if that is part of the executive / VENTURE CAPITALIST strategy? To push the newspaper into the ground and then say, “nobody reads newspapers.” That is a lie because many people read newspapers and I can attest to the fact the number of times I have tried to purchase the PRINT EDITION from stores in the area and they RUN OUT OF NEWSPAPERS. But, nobody reads newspapers? Does anyone understand what I am saying, at all, or just brush me off and shun me because I don’t go along with the digital “in crowd” which is plagued and wrong? After all, those in that in-crowd cluster just do a “cluster f***” to me because I don’t go along like a good robot. Like a good doggie. Treat us like animals or slaves to go along with the crowd.
The experience.
Called Gannett customer service. Get all these messages about delivery of newspapers (or non-delivery) for the holidays. Then a voice (from computer / robot) gives me options, but no numbers on the keypad. So, I speak like one does to Alexa. I did spoke what was suggested. Each time got, “I don’t understand.” Do it again. “I don’t understand.” Again. “I don’t understand.” Finally, hangs up.
Went through this about 24 times, figuring I am hip in giving reply to an Alexa-type piece of crap. I am in the “in-crowd” with Alexa-type crap! But each time, got hung up on me.
Finally decided this robot speaking to me is full of crap so I poked the number once used for “operator.” Zero. Hung up. Won’t give me to a person over in the Philippines (forget getting an American).
After expecting this Alexa-type to do something it was programmed to do with freaking AI capabilities, decided to try to poke the number 1. AH! That worked and got me to someone special in freaking Philippines.,
Oh, but before I did, I also tried the chat. Screw you, buddy, because chat cannot help do customer service. Do it online. The only thing available in my online account was to cancel or pause. Really? No “Start” or “Change?” Just cancel or pause. Really intelligent executives running that newspaper with their freaking AI system for answering the phones. And I tried to explain the situation with getting through to customer service by phone. The Filipino provides another number. Does same thing the first number did.
It was THEN I decided, oh, silly foolish me, to push the number one on the phone. It went through.
So, finally, after 45 minutes of grappling with freaking AI robots and so forth, I get through. Most people won’t purchase ANY subscription and just give up. I did not, figuring maybe it was my placement of my mouth and voice on the phone and trying to adjust….. ENNNH. Wrong.
In each case, the chat person and the one on the phone asked me to fill out a survey. I told both they did a wonderful job, so no need for me to take time to fill out a survey. I asked if I could send a survey of the executives in the executive suite because they are the one who are mis-managing the company, not the people on the front line. But no mechanism for me to fill out a survey for the freaking lousy and lazy money-loving greedy selfish executives and tell them about the lousy service of their company. Probably because the only ones I would get are freaking lousy venture capitalists who have the desire to drive the company into the ground and destroy the newspaper industry. And then claim, “no one reads newspapers.” BS and I have plenty of evidence otherwise.
So, FB is the ONLY method I have for filling out a survey and review of Gannett. I give the company a -5 rating. I give the executives a -5 rating. I give the executives a -5 rating for customer service. I give the executives a -10 for the answering system. What else? Never spoke with them, so how can evaluate their communication? Except to say the communication for the company is lousy at the top, but a +5 for the ones on the front line who doing the hard work.
If you don’t like me saying this, then tough shit because I am a union man who believes in the hard work of the people on the front lines. And find those at the top of so many venture-capitalist run companies to be lousy fat pigs who don’t know how to be good leaders, then give money to PACs so as to validate their positions through Congress and other avenues.
Sorry. I used the word shit one time. And it describes those who are fat pigs and lacking any abilities to communicate or have any KNOWLEDGE about how to make a company communicate in the best possible way. They leave it up to lousy computer science people who are nothing but a bunch of nerds who know nothing about effective HUMAN communication. And this is who we have managing an industry which is about NEWS & INFORMATION & COMMUNICATION? A bunch of greedy selfish fat pigs with no concern for the business and the DEMAND SIDE OF THE MARKET?
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Commentary, Information Industry, Journalism & Media
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